“With Pretty Enough for You, Cliff Hudder plumbs our capacity for yearning and tenderness, yet somehow makes it all exceedingly funny and charming. Harrison Bent is bent—perhaps even a bit twisted—but his story is that rare sort that makes us hungrier for it with every page we consume. This is a marvelous novel by a writer of the highest, most compassionate order.”
—Bruce Machart, author of The Wake of Forgiveness
“In Cliff Hudder’s thoroughly captivating first novel, an immigration attorney, Bent, haunted by signature fainting spells, moves through a rich, border landscape of Texas populated by witches, mobsters, anyone who thinks they can finagle law into profit, and the misfits of Café Rico. But he also faces personal borders—drug addiction, adultery, and a hard-nosed therapist who says of his infidelities, ‘If you want companionship…society is saying buy a fucking pet.’ Though Hudder’s protagonist is happily anything but hardboiled, his prose is: precise, unflinchingly honest, heartbreakingly beautiful. His gorgeous, noirish landscape of contemporary Texas is sure to thrill.”
—Wendell Mayo, author of The Cucumber King of Kedainiai
“One of the most compulsively readable, surprising books I’ve seen in years. Hudder has created an everyman in Harrison Bent: among the most memorable, neurotic, and likably unlikable narrators in recent history. Each scene of Pretty Enough for You throbs with the love Bent has for his autistic son, Henry, who lives in Bent’s heart as he will remain in yours long after you’ve finished this marvelously funny, intricately plotted, and brave novel.”
—David Samuel Levinson, author of Antonia Lively Breaks the Silence
“Cliff Hudder’s Pretty Enough for You is a guy’s book, meaning its emphasis is on men and their concerns: work and sex. The narrator could be a Richard Russo character: an anti-hero aware of his faults but unaware of his innate goodness. Part of his ‘assholery’ is his treatment of women, but he doesn’t treat men, especially himself, any better. Read this for his bad-luck shenanigans, but most of all for his pitch-perfect, self-deprecating humor.”
—Nan Cuba, author of Body and Bread
"[A] rollicking carnival of a debut novel. . . . Hudder exhibits superlative comedic talent."
—Michelle Newby, Lone Star Literary Life
"It's not often that a novel surprises me in the plot building or resolution, but Hudder did! TWICE!"
—Jana Grissom, A Novel Reality