Hood was front and center at the cultural, political, and social crossroads of Mexico and Latin America during a period of intense creative ferment. She developed close friendships with the exiled European intelligentsia and Latin American surrealists: artists, composers, poets, playwrights, and revolutionary writers. She married the Bolivian composer José María Velasco Maidana, and together they traveled all over the world.
Once back in Houston, Hood produced epic paintings that evoked the psychic void of space: large-scale works evoking primordial seas, volcanic explosions, and the cosmos contained within the mind.
The Color of Being / El Color del Ser establishes a vital connection among Texas, Latin America, New York, and Europe. It celebrates this important Modernist painter whose oeuvre is integral to the ongoing dialogue of abstraction by artists of the postwar period.
Sponsored by the Art Museum of South Texas
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Published by Texas A&M University Press