However, Hernández soon realized that San Isidro contained hidden depths. The cemetery was built on the former grounds of an old slave-owning plantation. Her story quickly burgeoned from one of immigrant laborers working the land of the giant sugar company to one of the slave laborers who had worked the sugar plantations decades before, but whose history had been largely wiped out of the narrative of the affluent, white-majority county. Much like an archeologist, Hernández began carefully brushing away layers of time to reveal the fragile, entombed remnants of a complex, unknown past.
A professional photographer as well as a scholar, Hernández provides visual images to spur the reader’s imagination and anchor the narrative in historical reality. She mines interviews, newspaper accounts, and other primary sources—interpreted through her own rich sense of place and time—to reconstruct the identity of a community where the Old South, the wealthy New South, and the culture from south of the border all comingle to form an almost iconic symbol for today’s America.
In this complex and nuanced, self-reflexive ethnography, Hernández interweaves personal memory and group history, ethnic experience and class . . . even death and life.
About the Author
Published by Texas A&M University Press