Storm Swimmer

“Ernest Hilbert’s Storm Swimmer is a gleaming cornucopia of dreams, nightmares, tenderness, and grace. In Hilbert we encounter the poet as allegorical realist: a seer who has ‘known beauty almost impossible / To believe, nearly always lost amid / All the usual distractions.’ This is a rare book both willing and able to capture the wide and relentless range of the human condition, in its varying lights and shadows, and in settings spanning the mundane, the tawdry, and the sublime. Storm Swimmer is a book of great feeling and of great technical skill. Everything in it is sacrificed for poetry, which is why everything in this beautiful book lives.”—Rowan Ricardo Phillips, author of Heaven and judge
 
“In Storm Swimmer, fatherhood is neither one-dimensional nor short-sighted; instead, fatherhood is a nexus, rigged with grace and curiosity—an enduring gift for a son and for readers. Toggling between the natural world and the relentless spectacle of contemporary life, acutely aware of the passage of time, Ernest Hilbert’s poems are marvelously built, resonant.”—Eduardo C. Corral, author of Guillotine: Poems
 
“Ernest Hilbert has always written from the ragged edge between tradition and the present moment, and now he goes for a deeper immersion, a swimmer in life, aware of its most desperate and beautiful currents. The sea has taught him to ride out the detritus of existence, to see it but not be consumed by it, and his forms give spine to his vision. Storm Swimmer is his strongest book so far, urgent and real.”—David Mason, author of Pacific Light

“Ernest Hilbert’s ambitious book Storm Swimmer—it includes epigraphs in Greek from Homer and Apollonius of Rhodes—is a meditation on fatherhood and on the human legacy bequeathed to a young son, culminating in a poem appropriately indebted to Coleridge’s “Frost at Midnight.” But this tender domesticity also achieves a pelagic reach, as the collection begins and ends with ocean swimming. The fact that one of its maritime settings is Corson’s Inlet on the New Jersey shore, where poet A. R. Ammons revolutionized the relation between thought and poetic line in a way that sparked Projectivism, is indicative too of the verbal and formal resourcefulness of this collection. And its cultural range is no less wide—from Mozart’s K. 265 or Fauré’s Requiem to a Heavy Metal tribute night.”—Karl Kirchwey, author of The Engrafted Word