Despite their diversity, these various ensembles, genres, and styles share two fundamental characteristics: they are all homegrown, and they all speak after their own fashion to fundamental social processes shaping Texas-Mexican society. As Peña persuasively argues, they represent a transforming cultural economy and its effects on Texas-Mexicans.
Peña traces the history of música tejana from the fandangos and bailes of the nineteenth century through the canción ranchera and the politically informed corrido to the most recent forms of Tejano music. In the beginning, he argues, musicmaking was a function of "use-value"—its symbolic power linked to the social processes of which it was an organic part. As música tejana was swept into the commercial market, it added a second, less culturally grounded dimension—"exchange-value"—whereby it came
under the culturally weakening influence of the commercial market. Since the 1940s, the music has oscillated between the extremes of use- and exchange-value, though it has never lost its power to speak to issues of identity, difference, and social change.
Música Tejana thus gives not only a detailed overview of música tejana but also analyzes the social and economic implications of the music. The breadth, depth, and clarity with which Peña has treated this subject make this a most useful text for those interested in ethnomusicology, folklore, ethnic studies, and Mexican American culture.
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Published by Texas A&M University Press